The Hollywood Reporter and major industry trades have confirmed massive news out of a galaxy far, far away: Spider-Man trilogy director Jon Watts has been officially tapped to direct Star Wars: Episode X. He will helm the first chapter of a brand-new trilogy written and produced by Simon Kinberg, with Daisy Ridley expected to reprise her role as Jedi Master Rey Skywalker.
For a fanbase still suffering from Sequel Trilogy fatigue, the announcement has triggered a wave of passionate debate across the internet. Is pairing a studio-friendly director with a hit-or-miss writer the “safe corporate bet” that risks muting artistic ambition? Or is it the exact brand stabilization Lucasfilm needs right now?
With Dave Filoni steering the creative direction as Chief Creative Officer, Lucasfilm is standing at a critical crossroads. Ahead of upcoming theatrical releases like Star Wars: Starfighter, here is a deep dive into the good, the bad, and what Episode X means for the future of the franchise.
Why It Could Work (The “Franchise Stabilizer” Argument)

1. Jon Watts Delivers Crowds Under Pressure
Jon Watts has repeatedly proven he can navigate high-pressure, multi-character studio mandates without production meltdowns. His MCU Spider-Man trilogy culminated in Spider-Man: No Way Home—a $1.9 billion global juggernaut that juggled legacy nostalgia, fan expectations, and emotional character arcs with ease. Furthermore, Watts already proved his Star Wars sensibilities as co-creator and director of Skeleton Crew, successfully blending classic Amblin-style adventure with Star Wars lore.
2. Simon Kinberg Knows Big-Universe Architecture
While critics point to Kinberg’s misfires, his resume with massive franchises is undeniable. He co-created Star Wars Rebels—one of the most critically beloved animated chapters in the entire franchise—and guided X-Men: Days of Future Past. Kinberg brings structural, long-term universe planning to a saga that notoriously suffered from J.J. Abrams and Rian Johnson’s lack of a unified vision during Episodes VII through IX.
Why It Could Backfire (The “Corporate Banal” Risk)

1. The Loss of Auteur Ambition
After leaning into visionary, distinct voices like Gareth Edwards (Rogue One) and Tony Gilroy (Andor), reverting to a factory-style filmmaker risks making Episode X feel anonymous, overly sanitized, and heavily reliant on studio tropes.
2. The Rey Dilemma & Franchise Fatigue
The divisive reaction to The Rise of Skywalker proved that nostalgia alone cannot carry a movie. If Kinberg’s script fails to justify Rey’s return with a truly fresh, compelling vision for a New Jedi Order, audience cynicism will remain high.
3. Kinberg’s Mixed Track Record
Beyond his successes, Kinberg has penned some of the most criticized superhero entries in modern cinema (X-Men: The Last Stand, 2015’s Fantastic Four, and Dark Phoenix). Trusting him to anchor a multi-film Skywalker Saga continuation is a high-stakes gamble.
What Lucasfilm Needs to Get Right with Star Wars Episode X

Star Wars finds itself in a delicate position as a theatrical brand. While streaming has offered moments of brilliance, the big-screen pipeline desperately needs a home run.
To win back the core fanbase, Dave Filoni and Lucasfilm must establish a cohesive three-movie roadmap from Day 1. Rather than acting reactively or course-correcting mid-trilogy, Episode X must respect the legacy characters while daring to push Rey into bold, uncharted galactic territory.
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The Verdict
Jon Watts and Simon Kinberg may not be the most radical or artistic picks on paper, but after years of canceled projects, script rewrites, and director turnover, execution and stability might be exactly what Star Wars needs to successfully return to theaters. If Watts brings his trademark heart and Filoni ensures deep lore consistency, Episode X could give Rey Skywalker the true cinematic redemption story she deserves.
Do you think Jon Watts is the right choice to direct Star Wars: Episode X, or should Lucasfilm hire indie auteur directors? Let us know your thoughts in the comments below!





